Emily Carey was “scared” to do sex scenes in House of the Dragon, particularly due to how “violent” these were in its predecessor, Game of Thrones, the actor told Newsweek.
Carey, who uses she/they pronouns, plays Alicent Hightower in the HBO hit, a character who becomes the next wife of King Viserys I (Paddy Considine) through her father Otto’s (Rhys Ifans) machinations.
Emily Carey Talks Being ‘Scared’ of ‘House of the Dragon’ Sex Scenes
In Episode 4 Carey was necessary to come in two intimacy scenes, one where Alicent helps bathe King Viserys and another a sex scene which Carey’s character seems to feel obliged to be a part of, instead of desire it.
Because they were 17 yrs . old during casting, and 18 when filming, Carey felt “scared” of performing in the scenes, particularly given how old they are difference with the then 47-year-old Considine.
It had been because of an intimacy coordinator that the actor felt reassured. Intimacy coordinators focus on film and tv’s to choreograph simulated sex between actors and ensure their wellbeing is known as on set.
“We’ve an intimacy coordinator who was simply amazing,” Carey told Newsweek. “Again, still being 17, the initial scene that I read from the show was my sex scene and my intimacy scenes, which includes the scene where I’m bathing the kinganything that felt intimate was considered an intimacy scene, that i thought was great.
“But, it scared me, because at that time I still hadn’t met Paddy, I didn’t understand how a lot of a joy he was and how easy he would make [the scene], and all I saw was, you understand, a 47-year-old man and me, I was a little concerned.
“And having that outlet of the intimacy coordinator, in order to talk everything through rather than be shunned, or not feel awkward, or not feel just like ‘Oh, this is not your task. I don’t desire to make one feel uncomfortable but may i ask you…’ it had been never some of that, it had been that open dialogue.
“In the rehearsal room she was an enormous help and on set she was an enormous help. Yeah, it had been easier than I thought it had been likely to be.”
Game of Thrones actor Sean Bean recently decried the usage of intimacy coordinators on set, saying they “spoil the spontaneity” when filming for TV and film.
The Ned Stark actor said within an interview with the U.K.’s THE CHANGING TIMES Magazine: “Somebody saying, ‘Do this, put the hands there, when you touch his thing…’I think by natural means lovers behave will be ruined by someone bringing it because of a technical exercise.”
But, for Carey, it had been essential, and reflecting on what Game of Thrones comes even close to House of the Dragon with regards to its treatment of its female characters, the actor continued: “I believe I was still 17 when I started this job, I was 18 by enough time we started shooting but there is a couple of months of me in this role as a 17-year-old.
“I’ve never seen Game of Thrones before, therefore in the pre-production period I sat right down to try to watch [it] not to mention the initial season, even just the initial bout of Thrones, there’s lots of violence upon women.
“There’s lots of violent sex also it made me nervous. I was like, ‘Oh God, what am I gonna want to do in this show?'”
“Whenever we surely got to the rehearsal room, no matter who was where scenes, there is an open dialogue about, ‘Look, this is one way we’re approaching the show. This is one way it will likely be different from the initial. This is exactly what you want to talk about. This is exactly what you want to put out. This is one way we wish the viewers to see the women inside our show.’
“I believe that open conversation is indeed important, it made people feel incredibly secure and safe in the hands of [showrunners] Ryan [Condal] and Miguel [Sapochnik].”
They added: “Certainly, there have been all women behind the scenes, we’d an incredible team, we’d, needless to say, female directors, I caused the amazing Clare Kilner who was simply fierce, and a lot of women producing this show aswell, and Sarah, among our writers, amongst numerous others in the writers room, I’m sure.
“It had been an incredible thing, also it was empowering being on that set as a girl and being treated exactly like most of these very established men. It had been great, I believe they approached this in the simplest way they could did.”
On Alicent’s Journey and Being Under Men’s Control
House of the Dragon is defined at the height of Targaryen rule and it’ll lead in to the Dance of the Dragons, a civil war that almost destroyed the dragon-wielding house and began when Alicent contested the legitimacy of King Viserys’ daughter Rhaenyra’s to the Iron Throne.
The show explores the first years of the friendship between your two characters, along with how it found breakdown completely. Of the, Carey said: “I believe just how they’ve approached this friendship in the show, to begin with, is very not the same as the book [Fire and Blood, by George R. R. Martin].
“I, needless to say, browse the book for context, and was surprised to note that there wasn’t plenty of in-depth [information], it didn’t go comprehensive therefore when it found their friendship, and there is actually a significant big age gap between your two girls in the book.
“I believe having them so incredibly close is why is the demise of the friendship so heart-breaking, and there is a lot more on the line, if which makes sense. Needless to say, almost always there is things on the line with regards to the throne, but we’re talking emotions, we’re talking true, raw emotions from two ladies.”
“It had been lots of fun playing around with this particular friendship and I enjoy Milly [Alcock, who plays a Rhaenyra] off-screen therefore everything came very organically on-screen,” Carey added. “It’s heart-breaking to view it breakdown, or at the very least it must be, they both make questionable choices sometimes but, the truth is, most of the time the options are created to appear to be it’s created by them but it’s hardly ever really their choice, their lives are dictated by their fathers and the men around them.
“That is why is it so hard to view, because neither one of these come in control at all through the entire entire journey, whether they’re incredibly close or when it starts to breakdown.”
Reflecting on the partnership between Alicent and her father Otto, Carey said: “I believe it had been interesting, the dynamic between Otto and Alicent was probably the most interesting for me personally to explore being an actor, because I don’t possess a relationship with my very own father therefore i found it difficult initially to explore that, because it’s not a standard father-daughter relationship.
“Alicent is sort of a pawn in his big game, but among the first items that Miguel thought to me was that she’s very acutely alert to the overall game of Thrones, and she’s alert to the planet that she’s in and where she sits for the reason that world.
“And I believe she starts to notice the truth that she does not have a selection and that she actually is a pawn in this big game, and she just must sit with it, I don’t believe she ever anticipated that Otto will be the one manipulating that.”
Considering the character’s future struggle with Rhaenyra, Carey said viewers will quickly visit a “spark” within their character before Olivia Cooke and Emma D’Arcy dominate the roles of Alicent and the Princess.
“I believe she finds herself for the reason that position and she wants it, I don’t believe she ever wanted it from the start,” they said of Alicent’s determination to obtain her children on the Iron Throne in future. “I believe it had been ‘right, I’m here. Now I’ve surely got to do what I’ve surely got to do,’ and I believe she has plenty of ambition and determination.
“I believe she’s an extremely emotional person. I believe Alicent includes a huge heart, which sometimes may cause her to do something villainous, because she’s fighting for individuals that she loves dearly, which, obviously, when i browse the book I understand what’s ahead vaguely.
“We realize that she fights on her behalf children, eventually, the Alicent that I play doesn’t really make it happen. After all, we note that spark, there’s definitely a spark, but we don’t note that until episodes 4 or 5, I’d say.
“I believe [episode] three for me personally was the turning point… you see her go from the young girl into [someone] attempting to be this woman that she actually is designed to believe she ought to be, and four and five you see her begin to actually enter into her own and you also note that spark, that fire.”
House of the Dragon airs Sundays on HBO and HBO Max at 9 p.m. ET.