Following a summer light on film, the fall cinema dump begins this month, with a lot more ahead in October. The more commercial offerings feature romance and revenge, as the artier options add a Fassbinder remake, a David Bowie experiential documentary, a fictionalized Marilyn Monroe biopic and much more.
Its also the start of the spooky season, which begins with the long-awaited return of the bilingual comedy-horror Los Espookys, a critics favorite when it first premiered 3 years ago, and “Queer for Fear,” a great docuseries concerning the history of LGBTQ influences on horror.
Continue reading to discover what else is with this months must-watch list. And dont forget to listen in to the 74th annual Emmy Awards on Sept. 12 on NBC, to see which queer nominees collect TVs biggest awards.
When Swiss-born filmmaker Eva Vitija first browse the source material for last years revelatory collection Patricia Highsmith: Her Diaries and Notebooks, she was fascinated with how different the misanthropic writers public image was from the private life detailed in the diaries. Inspired by the writers accounts of debaucherous evenings, whirlwind romances and some defining relationships Vitijas new documentary, Loving Highsmith, includes conversations with family and former lovers, an array of illustrative diary entries read by actor Gwendoline Christie (Game of Thrones) and archival footage of the writer discussing Strangers on a Train, The Talented Mr. Ripley, The cost of Salt and her other well-known works. By using a jazz guitar soundtrack, Vitija crafts an atmospheric tribute to the lesbian writers romantic streak and a generation of women who had to love in secret.
Loving Highsmith opens in U.S. theaters Sept. 2.
‘Peter von Kant’
Director Franois Ozons gender-swapped remake of German auteur Rainer Werner Fassbinder’s film The Bitter Tears of Petra Von Kant is simultaneously true to the initial, a mashup of references to Fassbinders life and work and incredibly much an Ozon production.As in Fassbinders original, Peter Von Kant occurs in the rooms of the title character, and the action centers around the figures who come and go from their website or, regarding Peters assistant, Karl, dont appear to be in a position to leave at all. Ozons protagonist is really a hard-partying film director who has more in keeping with the specific Fassbinder compared to the slinky designer at the biggest market of the initial. However, Karl quite definitely evokes the slavish devotion and masochistic streak of Petras devotee, Marlene.
Peter Von Kant opens in U.S. theaters Sept. 2.
In the brand new series Monarch, Susan Sarandon stars because the matriarch of the Romans, the fictional first category of country music. As any fan of Succession would expect, the members of the Roman clan Dottie (Sarandon), Albie (Trace Adkins) and their children Nicky (Anna Friel), Luke (Joshua Sasse) and Gigi (Beth Ditto) will minimize at nothing to safeguard their place at the very top, even if this means destroying each other. On the list of siblings, Gigi, a talented singer who nevertheless feels as though the black sheep of the household, is just about the least ready to have a mercenary approach, having interests outside dynastic ambitions. Among those interests is her wife, Kayla (Meagan Holder), a music manager whose weariness of the household belies something deeper than disapproval of these toxic dynamic.
Monarch season one premieres on Fox Sept. 11.
‘The Handmaids Tale’
Although later seasons of The Handmaids Tale have flown beneath the radar, Elizabeth Moss and the largely female cast of the dystopian series continues to provide up stellar performances and soul-crushing story lines. In season five, June (Moss) has finally clawed her way to avoid it from behind the iron curtain of Gilead and managed to get to her friends and family in Canada. Despite being met with open arms by her husband, Luke (O-T Fagbenle), and companion, Moira (Samira Wiley), June cant stop considering going back to get rid of the extremist Christian regime ruling the former U.S. forever. Sadly, fellow survivor and recent escapee Emily (Alexis Bledel) isnt around to talk sense into her, having returned to Gilead herself after being struggling to make a new lease of life with her wife and child. While Bledels absence makes the growing season feel straighter than usual, the series still gets a queer press for past seasons of showcasing freedom-fighting lesbians.
The Handmaids Tale season five debuts on Hulu Sept. 14.
Loosely inspired by the Hitchcock-adapted Patricia Highsmith classic Strangers on a Train, the brand new Netflix film Do Revenge stars Camila Mendes (Riverdale) and Maya Hawke (Stranger Things) in a revenge-swap scenario that occurs in a wealthy senior high school populated by good-looking Gen Zers. Eleanor (Hawke) is getting ready to transfer to a fresh school and carrying the scars of a traumatic coming-out experience when she’s a clandestine ending up in disgraced it girl Drea (Mendes). Together, they hatch an idea to obtain back at their respective foes, that involves hours of plotting and an Emily in Paris inspired makeover for Eleanor. Although initially the films premise seems fairly straightforward Ill do your revenge should you choose mine director Jennifer Kaytin Robinson has generated in a few twists and turns befitting its thriller roots.
Do Revenge premieres on Netflix Sept. 16.
The (very) long-awaited second season of HBOs surreal, Spanish-English comedy Los Espookys has finally arrived. And the six new episodes from co-creaters and stars Fred Armisen, Julio Torres and Ana Fabrega, who also directs have a lot more of the queerness, satire and camp that made the series so beloved to begin with. In the brand new season, business is booming for the friends-turned-business-partners Renaldo (Bernardo Velasco), rsula (Cassandra Ciangherotti), Tati (Fabrega) and Andrs (Torres) that are inundated with requests to stage spooky experiences for his or her scheming clients. But, within their off time, the four friends are contending with some very real horrors, from inner demons to sexist politicians and gig-economy work. Naturally, which means the return of Spike Einbinder as Sombra Del Agua and Greta Titelman as Ambassador Melanie Gibbons, that are joined by guest stars like Kim Petras and Isabella Rossellini.
Los Espookys season two debuts on HBO Max Sept. 16.
Without the initial film to be produced about David Bowie since his death in 2016, Brett Morgans Moonage Daydream may be the first to really have the support of the artists estate. The film, that is being marketed being an experiential documentary, features personal archival footage, unseen performances, psychedelic imagery and, needless to say, a lot of music. The title of the film identifies a song that Bowie wrote for 19-year-old Freddie Burretti, a designer Bowie met at a London gay bar and later credited because the ultimate co-shaper of the Ziggy look, discussing his androgynous, bisexual rock star alter ego. Bowie, who performed onstage as Ziggy Stardust in the first 1970s, was possibly the most influential figure in the glam rock eras exploration of gender and sexual fluidity. And he continued to test out gender expression throughout his career, inspiring generations of musicians to defy industry norms.
Moonage Daydream opens in U.S. theaters Sept. 16.
Blonde, an adaptation of Joyce Carol Oates novel concerning the life of Marilyn Monroe, has already been probably the most discussed films of the entire year. Along with director Andrew Dominiks effusive praise of their own work, the film has grabbed headlines for the casting of Cuban and Spanish actor Ana de Armas in the starring role, and also rumors about NC-17 sex scenes and feelings concerning the source material itself, which fictionalizes Monroes real-life abusive relationships. However, its not only controversy thats fueling fascination with the film, especially among LGBTQ audiences. During her short life, Monroe was a staunch advocate for the gay community and counted several queer people among her closest allies, which Dominiks film explores. There’s been speculation through the years that Monroe was involved with multiple same-sex relationships, which, alongside her outsider status and tragic life, has made her among the great gay Hollywood icons.
Blonde premieres on Netflix Sept. 23.
‘Queer for Fear’
Queerness is really as necessary to horror as any monster or twisted killer, and a fresh four-part docuseries sets out to describe why. Queer for Fear traces the annals of the LGBTQ communitys influence on and relationship with the horror and thriller genres, you start with early literary works like Mary Shelleys Frankenstein and Oscar Wildes The Picture of Dorian Gray and moving through the Golden Age of Hollywood for this day. Alongside a lot of film clips and animation, an accumulation of queer horror experts, creators and actors add color to the series developed by Bryan Fuller (Pushing Daisies). Several RuPauls Drag Race alumni weigh in on topics like why Dracula is drag, alongside the director and stars of Yellow Jackets, the creators of series like Sherlock and Russian Doll, and cultural icons like Michael Feinstein and Cassandra Peterson (also called Elvira).
Queer for Fear debuts on Shudder Sept. 29.
Billy Eichner, the comedic mind behind Billy on the road and Difficult People, makes history this month with Bros, the initial gay rom-com to premiere by way of a major studio, which he stars in and wrote. Eichner plays his typical self-deprecating, cynical protagonist, a podcast host named Bobby who has virtually abadndoned finding anyone tolerable up to now. Thats when he meets the gorgeous and seemingly perfect Aaron (Luke Macfarlane) because, needless to say, thats how it operates. The Judd Apatow-produced film, that is referred to as smart, swoony and heartfelt in the press notes, can be the initial major studio film with an entirely LGBTQ principal cast, featuring names like Ts Madison, Monica Raymund, Guillermo Daz among others.
Bros opens in U.S. theaters Sept. 30.
In the event you missed it
The fantasy genre hasnt been a queer-friendly place, but Netflixs new series The Sandman, in regards to a dethroned lord of Dreams (Tom Sturridge), is approximately as queer as a show will get. Predicated on Neil Gaimans comic book of exactly the same name, the over-the-top fantasy series stars nonbinary actor Mason Alexander Park as Dreams nonbinary sibling, Desire; Jenna Coleman as fierce bisexual detective Johanna Constantine; and Boyd Holbrook because the queer and incredibly alluring villain, The Corinthian. Each episode brings a good amount of new story lines and romances, and an excellent part of them are either overtly LGBTQ or queer canon, like Gwendoline Christies genderless Lucifer.
The Sandman season one can be acquired on Netflix.