In the ultimate bout of The WhiteLotus, Rachel (Alexandra Daddario) finds her voice finally. Following a fraught honeymoon with new husband Shane (Jake Lacy) throughout which he harasses the resort manager for an area upgrade and hosts his mother (Molly Shannon) when she pops by for a short stay Rachel has arrived at the realization that she and Shane arent as compatible because they thought. Writer-director MikeWhite reduces this tense moment between your young couple as Rachel rips the Band-Aid off and declares the honeymoon over.
The White Lotus originated with an individual storyline: that of a couple vacationing on the honeymoon. The theory was that certain person in the couple realizes on the honeymoon that the individual theyve married isnt who they thought these were, says White. Ive done lots of traveling, and you also realize what folks are like when youre outside your bubble, your comfort place. Rachel and Shane, who rushed to their marriage, learn this hard lesson at the Hawaiian resort but its Rachel here who admits it aloud.
White admits that scene, while an easy two-hander between Daddario and Lacy, was unexpectedly difficult to tackle. The complete show was type of building to the in its original conception, he says of the scenes pressures. I felt at that time when I was writing [that] if this thing doesnt work, or in the event that you dont buy what shes saying, or you dont buy where it originates from, i quickly think the show would fail.
One of the primary challenges for White was to fully capture Rachels mindset and also have it seem sensible narratively and remain true to the type. I needed the audience to get that woman would enter a predicament where she could possibly be that naive about who he could be and what the dynamic of these relationship will be, he explains.
There’s been a reliable tension between Rachel and Shane resulting in the growing season finale, so much in order that even White knew his audience would expect their relationship to implode such as this. Rachel tells [Sydney Sweeneys Olivia and Brittany OGradys Paula] by the pool that Shane is quite decisive, says White. Shane knew she was the trophy wife he wanted, and Rachels in a location, she explains, where she wanted an anchor, something to brag about which, I believe, is quite human.
Shane is, without question, an entitled rich kid, but White still wished to write him from the host to empathy. Despite the fact that hes a goon in so many ways, he’s got this very paternalistic method of relationships thats very earnest, White explains. He doesnt want conflict with her, and he doesnt desire to say things they’ll regret.
While that is, theoretically, a breakup scene, the show ends with Shane and Rachel back together before they make their way home. This moment was essential for that narrative conclusion. Rachel might have independence and [be] whatever she could be, but shes still an appendage to him, says White. She cant have all of the trappings of his life and his lifestyle without some type of sacrifice of power.
This story first appeared within an August stand-alone problem of The Hollywood Reporter magazine.